Along these streets, these confused alleys suffering a forced intercourse of asphalt and blood and sweat and tears; along these streets the children can be heard crying from the windows, their heads tilted back in starved sorrow as the night glares down at them with the contempt of a hanged mother. But the broken necked angels whose best intentions led to malicious outcomes as the will never know the scorn of the eve, the cries of the children or the gravestone faces of a world gone cold with anticipation of what would truly be an easy euthanasia.
I walk around each night observing these things, not as a profession, but more as a hobby. I see all of this shame and pain and fear with a scrutinizing eye, an eye that offers no sympathy but understands fully the path that the roads lead us to. This town is an egg. It holds you in so tightly and warm, safe from the world outside, where you can either stay until it lets you free, or escape and burn in the searing reality that lies below it. The real world will scar you, son; don't forget.
As the skies turn even darker still and the light of both moon and star is drowned out by hovering pools of absolute blackness, I am reminded of my condition. I am reminded of the clarity of my vision, how I can see this place for what it is. A padded room, walls stuffed with stiff sponge, bedlam fools begging for a piece of mind and never finding it in their tight white coats. The voices in their heads are the last words of broken necked angels, I love you, son; don't forget. But it is the memory that begs forgetting.
Each Ophelia in this place begs a return or a new start. Every one of these Willies craves love and needs to be well-liked. Nobody knows that they're real though, nobody cares that they're still alive, still human and still waiting for the sun to shine, just like everybody else. All they can see is a medicated smile, a personality in a repressed state of seizure, and a body that grinds rusty gears to twitch and fall and die.
Soon I will be as peas and carrots. Eyes cut wide and brain spooned to death. It's a feast for the scientific mind, a scheme to make the ever anxious conspirator's heart slow and become still. My antic disposition and ill-wit breeds the urge to seduce me with lightning, and the will and unjust justification by which to reduce my humanity and slay the mind that birthed so many a helpful tools, so many ideas that in application have assisted. But the memory begs forgetting, and as a memory myself, I beg that they remember to forget me before my own memory swallows itself in grief and in suffering and heaven forbid- thought.
















Comments
The language in this piece is great, you have some very powerful images.
Unfortunately, I have to agree with ~sabre-toothed-wolf. Your sentence structure does seem to let you down somewhat. Your first paragraph is 97 words, split into just 2 sentences. The second paragraph is a lot better, however.
I would also say that your language, while fantastic, does slightly overwhelm the message you're trying to convey. I suppose this is something of a 'can't see the wood for the trees' situation; there's so much fine detail and powerful language that the message you're trying to convey gets obscured.
Personally, I hate the phrase, but sometimes 'less is more' is really worth bearing in mind for prose.
Also, one typo I noticed:
malicious outcomes as they will never know the scorn of the eve (I think)
But, overall, this is a powerful piece with some great language and some nice imagery.
Hope this helps.
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Avatar by *crystal-rex.
Beyond this, the powerful vocabulary is used to display the higher intellect of the protagonist, and is effective in doing so (In my opinion). From here, the message becomes slightly convoluted which is exactly what I was going for. The message needs to be obscured because the narrator is struggling with it himself. If I made it any clearer, then it would take away from the entire purpose of the piece.
Now, all of this is not to say that you are in any way wrong. I am, after all, the author of this piece and therefore am conflicted by a bias that I cannot control even if I wanted to. Perhaps my points don't truly validate my argument and maybe you're right, but it is my position that this piece should be valued more for these reasons.
I thank you both sincerely though, you have offered me something to think about and no doubt I'll probably grow to hate this piece by the end of the week because I'll obsess over it until I can't even figure it out; and besides that, you took the timeto read and review, which is fantastic of you.
PS: I've edited that same typo out 4 times now, it just hasn't been saving properly
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"And all the pieces are falling into place as we become who we are: a new generation, a dark generation, a dead generation."
--Me
I think some of your meaning gets lost in your sentence structure. You use great vocabulary and you have pretty long sentences for the most part. I think some meaning gets lost in the midst of this. Then again, that could just be me not wanting to think too hard. -P
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click [link] hypno-toad commands you
"My friends say I'm crazy
And I agree
But that's okay
That's the way I like to be"
~Hey Girl - O.A.R.
I dont think you should change anything.
"soon I will be peas and carrots. Eyes cut wide and brain spooned to death" - great line!
A solid work, in my opinion.
I enjoyed it
Thanks for the comment.
--
"And all the pieces are falling into place as we become who we are: a new generation, a dark generation, a dead generation."
--Me
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"And all the pieces are falling into place as we become who we are: a new generation, a dark generation, a dead generation."
--Me
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